'The Georgian painter, Thomas Gainsborough, spent some of the most productive years of his career making portraits and landscapes from a base in the city of Bath'. Inspired by the 2012 exhibition at the Holburne Museum curated by Susan Sloman, Steve Poole looks at this shift in Gainsborough's focus and how this changed the presentation of the poor.
In 1966, the collieries of the Somerset Coalfield were declared unprofitable and closed. The closure resulted in the loss of nearly four-hundred jobs and left a void in the community that had been built around the mining industry. The Radstock museum of the Somerset Coalfield created a Video Archive which took the form of a compilation of memories from the elderly Somerset mining community. Following its success, Tim Bateman makes a case for academic videos as a medium for presenting history. Bateman reimagines the potential for video history outside the parameters of television and film entertainment.