From the time when urbanisation was first recognised as a radical and permanent phenomenon, debates and questions surrounding the physical, political, and social consequences of urban and industrial development accompanied every topographical modification; urban migration, expansion, and the industrialisation of the landscape became the object of popular scrutiny. Throughout the 19th century, commentators continued to compile both historic and prophetic accounts of rapidly evolving conurbations in an attempt to comprehend the future of these sites and their implications for the British nation and empire. In this article, Katy Layton Jones examines some of the ways in which engraved images of Bristol produced during the first half of the 19th century were informed by, and in turn informed, changing attitudes to that city and to urbanisation in general.