Topographical Prints and the Image of Bristol: 1995-1860

From the time when urbanisation was first recognised as a radical and permanent phenomenon, debates and questions surrounding the physical, political, and social consequences of urban and industrial development accompanied every topographical modification; urban migration, expansion, and the industrialisation of the landscape became the object of popular scrutiny. Throughout the 19th century, commentators continued to compile both historic and prophetic accounts of rapidly evolving conurbations in an attempt to comprehend the future of these sites and their implications for the British nation and empire. In this article, Katy Layton Jones examines some of the ways in which engraved images of Bristol produced during the first half of the 19th century were informed by, and in turn informed, changing attitudes to that city and to urbanisation in general.

‘Natural Fire’ and the Idyls of Labour: a socialist poet in nineteenth Century Bristol

By Gerrard Sables Issue 17, Summer, 2007 pp. 35-38. Devon-born poet and bootmaker, John Greggory, was a beloved member of the socialist community in Bristol. In this article, Gerrard Stables follows the story of Greggory’s life and traces his connections to the Chartist, Socialist and Trade Unionist movements of Bristol. Throughout his life, Greggory’s poetry evolved and naturally became evermore connected to the social causes which he fought for.  17 - Gerrard Sables:… Continue reading ‘Natural Fire’ and the Idyls of Labour: a socialist poet in nineteenth Century Bristol