The purpose of this article "is to chronicle the impact of reform on Bristol public life. An earlier piece dealt with the Tory opponents of the Reform Bill. The present essay covers the Whigs, radicals and others who, with varying degrees of enthusiasm, supported it". Stevenson provides information about who was involved in a vital period of change for the City of Bristol.
Tag: Richard Hart Davis
A Rearguard Action: Bristol Toryism and the Reform Bill, 1830-32
"During the 1810s and 1820s, the Tory merchant and banker Richard Hart Davis rode high in Bristol electoral politics. Elected as one of the city's two MPs at a bye-election in 1812, he retained his seat at the general election of that year and at subsequent elections in 1818, 1820, 1826 and 1830". John Stevens looks at how Toryism was in the ascendancy, restricting the influence of Whiggism in Bristol.
The Bristol General Election of 1830
The General Election which followed the death of King George IV in June 1830 is generally remembered in Bristol as a contest between the two Whig candidates over slavery. There were, however, two other candidates. One of them scored the greatest political triumph of his career; the other mustered barely two dozen votes. John Stevens tells the story of these Bristol electorates and their political campaigns.
Topographical Prints and the Image of Bristol: 1995-1860
From the time when urbanisation was first recognised as a radical and permanent phenomenon, debates and questions surrounding the physical, political, and social consequences of urban and industrial development accompanied every topographical modification; urban migration, expansion, and the industrialisation of the landscape became the object of popular scrutiny. Throughout the 19th century, commentators continued to compile both historic and prophetic accounts of rapidly evolving conurbations in an attempt to comprehend the future of these sites and their implications for the British nation and empire. In this article, Katy Layton Jones examines some of the ways in which engraved images of Bristol produced during the first half of the 19th century were informed by, and in turn informed, changing attitudes to that city and to urbanisation in general.