Part 1 of 2 - Joyce Moss looks at the development of the housing around Bristol Cathedral through from the 16th Century, as well as looking at the history of the buildings and whatever events occurred over the years of its construction. Furthermore, the article includes people who were involved with the monastic properties of the city, and what impact they had on proceedings.
'The restored nave of Bristol Cathedral was designed by George Edmund Street and has generally been regarded as an highly successful attempt to follow, without slavishly copying, the remarkably inventive architecture of the 14th-century chancel. Street was appointed as the architect of the proposed new nave'. In this, Bettey and Warren look at how those involved raised the funding, and the details surrounding its completion and its function as a place of worship was resumed.
James Bridges was clearly a versatile and talented character; it seems that talent ran in his family. Following on from his father, the creator of a marvellous invention which is celebrated today at the British Museum, James Bridges was a skilled surveyor, architect and travelling showman with a keen interest in science. Bridges took on many projects throughout his lifetime, including the Bristol bridge, to name but one. In this article, Barb Drummond follows the story of this intriguing character - although the end of his story remains elusive.
Anne Mackintosh looks at the archway at Paganhill and considers its links with the anti-slavery movement. Furthermore, the articles also considers the preservation of the arch over time, and how the community it features has persevered to maintain and preserve the history of the anti-slavery movement.
After the original Bristol Guildhall, which played host to the Law Courts, was pulled down by Bristol Town Council in 1841, Trevor Pearce considers the style, setting and decoration of the new building designed by City Surveyor R. S. Pope in a historical context. In addition, Pearce considers the aspects of the building in terms of being an expression of Bristolian identity.
These two delightful prints portraying the Upper and Lower St. James’s Arcades in Broadmead seem particularly appropriate for inclusion, in this issue of The Regional Historian,since they are from the Braikenridge Collection the subject of Sheena Stoddard’s new book reviewed here. They celebrate too the luxurious properties of glass - a subject discussed in Sue Gordon’s article on the Bristol glass industry.
This article by Sarah Whittingham covers a unique archive of architectural drawings and correspondence that was acquired by the University of Bristol. The correspondence relates to the practice of the University architect Sir George Oatley; the University already held several drawings by Oatley and his partners, but this material transformed the collection.